Here are a few things someone thinks readers should know about Don Felder.
Felder was “a” the main guitarist of the Eagles; He was not “THE” main guitarist.
He was a member of the group; he is not a “original” Where “founder” member of the group inducted into Rock Hall.
Felder co-wrote “Hotel Californie,” the title song of one of the best-selling albums of all time, and “Victim of love.” He’s not the only songwriter on these tracks.
Journalists are asked to sign a piece of paper declaring that they understand these facts before being allowed to speak to Felder.
When asked if this release form indicates that Felder communicates with his former group mates primarily through lawyers, he replied: “I can’t comment on this”, adding that it is up to the declarant to determine whether “I cannot comment” Answer the question.
Prickly seems like the best word to describe the current relationship, but Felder’s career didn’t start or end with The Eagles.
Let’s start with Gainesville High School, where Felder and his former colleague Eagle Bernie Leadon both graduated. Felder’s first group, The Continentals, included another former Rock Hall member, his classmate Stephen Stills. Felder said he was in the crowd at Woodstock to watch his former bandmate perform with Crosby, Stills, Nash & Young.
Words “We haven’t had this spirit here since 1969” of “Hotel Californie” (who, remember, Felder only “Co-written”) was inspired by Felder’s memories of Woodstock, he said.
A few years behind him at Gainesville High School was another Hall of Fame member – Tom Petty. Felder was his guitar teacher.
“Tom was actually a bass player”, said Felder. “He thought it was really old-fashioned for a bass player to sing solo. He didn’t want to be the bass player, and to write he had to be able to write chords. He was very motivated, a very hardworking student… He wasn’t interested in shredding, in being a great guitarist. He just wanted to play enough chords to be able to write.
Felder left Florida to work as a musician in New York and Boston, and it was Leadon who encouraged him to move to the West Coast. Felder performed on a few tracks from the 1974 Eagles album “At the border” – drive alone “Already gone” and “Good day in hell” – and was invited to join the group that year.
Felder arrived as the group reached their commercial pace. “The best of my love” of “At the border” was her first number one single. Title song from the 1975s “One of those nights” the album was the Eagles’ second number one hit, and two more made it to the top five, “Liar eyes” and “Take him to the limit.”
And came “Hotel Californie,” which sold nearly 6 million copies in its first year of release and has sold over 26 million copies.
But with great success came greater creative differences. By the time the band returned to the studio to “The long term,” “We were tearing our hair out” said Felder. “There were emotional outbursts in the studio. We had the chance to finish the ones (songs) that we did.
One of the unfinished songs became a solo favorite for Felder. Felder and Joe Walsh had worked on heavier guitar ideas than any other song on “The long term.” One became that of Walsh “Rivers (hidden funk)” and the other became “Heavy Metal (Takin ‘a Ride)” from the soundtrack of the 1981 animated feature film “Heavy metal.”
“I received a call from the director of the film, who wanted me to come and see if I would write a song for him” said Felder. “I had never seen anything like it in my life. It was an adult stoner movie.
The film remains a cult favorite and that of Felder “Heavy metal” is the track most associated with the film.
“I didn’t want those guitar parts to die” he said.
“Heavy metal” will likely be on the setlist when Felder performs at the Robins Theater on Friday as well as the Eagles hits he’s performed on. Although Felder instead of Don Henley or Glenn Frey sings them, he said his goal is to perform these songs the way audiences remember them.
“These songs, in terms of the lyrics, the music, the arrangements and the guitar parts, are so deeply engraved in people’s consciousness that if I went out and played a different solo at the end of ‘Hotel California’ people. would look at me like, ‘What is this?’ We have to respect these songs. People first heard these songs about 40 years ago and have heard them so many times since… You have to present them with integrity.
Felder also has more recent music. “American Rock ‘n’ Roll” features a range of guest artists, including several other Rock Hall inductees – Alex Lifeson (Rush), Mick Fleetwood (Fleetwood Mac), Chad Smith (Red Hot Chili Peppers), Slash (Guns N ‘Roses), Bob Weir (Grateful Dead) and Sammy Hagar (Van Halen).
Some of the musicians recorded their parts remotely, but in several cases Felder went to work face to face with the players he wanted in order to capture this. “Spontaneous moment of creation”.
Personal interaction was just as important. Felder traveled to Nashville to work with Peter Frampton on “The way things should be. “
“We talked and caught up,” he said. “We spent more time telling jokes than it took to do the guitar parts.”
Felder said he looks forward to personal interaction with a live audience during his current tour. He has been busy during the COVID-19 pandemic, performing live virtual performances for corporate events and other online presentations. But that does not correspond to a live audience.
“Just that connection between the artist and the audience when they’re standing and dancing on their feet just partying, you don’t have that feeling when you’re singing in a virtual studio and they’re watching through their headphones. . in.”
While some tours have been derailed by outbreaks of COVID-19 within the group or team, Felder may be better prepared than most for his return to the road.
“My girlfriend is responsible for COVID compliance… We make sure everyone is safe with us and our management. We want to have a good time, go out, party, have fun, but we don’t want to put anyone in danger.
If you are going to …
WHO: Don Felder
WHEN: 8 p.m. Friday
O: Robins Theater, 160 E. Market St., Warren
HOW MUCH: Tickets range from $ 30 to $ 75 and are available at the Robins box office and robinstheater.com